Journalism, gender and television: the image of women journalists in US series (1988-2022)
DOI:
https://doi.org/10.31921/doxacom.n39a2126Keywords:
Female journalist, television, United States, television fiction, journalismAbstract
Over the decades, the film industry has perpetuated certain narrative paradigms and stereotypes about female journalists. Some of these have been transferred to television fiction, where such portrayals have been updated with new archetypes. The aim of this research is to determine the way female journalists are portrayed in US fictional series. To this end, an analysis has been carried out regarding eight series broadcast between 1988 and 2022, which focus on journalism, featuring women as the protagonists who work in the profession. A diachronic perspective has been taken, which allows us to see the evolution of these stereotypes over more than three decades. In this way, it is possible to observe changes in archetypes as well those that persist, and to show evidence of social progress related to the diverse portrayals of women journalists.
Downloads
Global Statistics ℹ️
|
1007
Views
|
1467
Downloads
|
|
2474
Total
|
|
References
Barris, A. (1976). Stop the presses! The Newspaper in American Films. Barnes & Co.
Bezunartea Valencia, O., Cantalapiedra, M. J., Coca García, C., Genaut Arratibel, A., Peña Fernández, S., y Pérez Dasilva, J. A. (2008). ...So What? She’s A Newspaperman and She’s Pretty. Women Journalists in the Cinema. Zer: Revista De Estudios De Comunicacion, 13(25), 221-242. https://bit.ly/49CECIv
Bunyol, J. M. (2017). Historias de portada, 50 películas esenciales sobre periodismo. Editorial UOC.
Cascajosa Virino, C. (2006). No es televisión, es HBO: la búsqueda de la diferencia como indicador de calidad en los dramas del canal HBO, Zer- Revista de Estudios de Comunicación, 21, 23-33. https://bit.ly/493l2EJ
Cascajosa Virino, C. (2009). La nueva edad dorada de la televisión norteamericana, Secuencias. Revista de Historia del Cine, 26, 7-31. https://bit.ly/48FJnki
Chambers, D., Steiner, L., y Fleming, C. (2004). Women and journalism. Psychology Press.
Cleveland, R. (Guionista) y Willimon, B. (Productor y guionista). (18 de abril de 2013). Chapter 9 (Temporada 1, Episodio 9) [Serie de Televisión]. En Willimon, B. (Productor ejecutivo). House of Cards. Netflix.
Cvetkovic, I., y Oostman, K. R. (2018). Sexualization of the Journalism Profession: TV Representation of Female Journalists’ Intellect, Labor, and Bodies. IAFOR Journal of Media, Communication & Film, 5(1), 90-108. http://dx.doi.org/10.22492/ijmcf.5.1.06
Daniel, D. K. (1996). Lou Grant: the making of TV’s top newspaper drama. Syracuse University Press.
De Wulf Helskens, M., Dhaenens, F. y Van Leuven, S. (2023). Repackaged sob sisters and outsiders within: reading the female and minority journalists on The Bold Type and The Morning Show, Feminist Media Studies. https://doi.org/10.1080/14680777.2023.2197565
Ehrlich, M. C. (2004). Journalism in the movies. University of Illinois Press.
Ehrlich, M. C. (2006). Facts, truth, and bad journalists in the movies. Journalism, 7(4), 501–519. https://doi.org/10.1177/1464884906068364
Ehrlich, M. C. y Saltzman, J. (2015). Heroes and Scoundrels: The Image of the Journalist in Popular Culture. University of Illinois Press.
Fung, V. (1988). Sexism at the Networks: Anchor Jobs Go to Young Women and Experienced Men. Washington Journalism Review, 10(8), 20-24.
Galán, E. (2006). Personajes, estereotipos y representaciones sociales. Una propuesta de estudio y análisis de la ficción televisiva. ECO-PÓS, 9(1), 58-81. https://bit.ly/48pnBR6
Galán, E. (2007). La imagen social de la mujer en las series de ficción. Universidad de Extremadura.
Garrett, L. K. (2005). Women of The West Wing: Gender stereotypes in the political fiction. En T. Fahy (Ed.), Considering Aaron Sorkin: Essays on the Politics, Poetics and Sleight of Hand in the Films and Television Series (pp. 179-192). McFarland.
Ghiglione, L., y Saltzman, J. (2005). Fact or Fiction: Hollywood looks at the News. The Image of the Journalist in Popular Culture, 1-26. https://bit.ly/3S8WUd3
Good, H. (1985). The journalist in Fiction, 1890–1930. Journalism Quarterly, 62(2), 352-357. https://doi.org/10.1177/107769908506200219
Good, H. (1998). Girl Reporter: Gender, Journalism, and the Movies. Scarecrow Press.
Gómez Morales, B. M. (2014). La imagen del periodista y el sensacionalismo en la ficción televisiva. El caso de las comedias animadas de prime time. Estudios sobre el Mensaje Periodístico, 20(2), 719-734. https://doi.org/10.5209/rev_ESMP.2014.v20.n2.47030
González Suárez, L. (2003). Al filo de la noticia: la imagen del periodista en el cine. Universidad Pontificia de Salamanca.
Güimil, E. (9 de mayo de 2017). “Murphy Brown”, la madre soltera que enfureció a los conservadores. Vanity Fair. https://bit.ly/3STYSj7
Lacalle, C. e Hidalgo-Marí, T. (2016). La evolución de la familia en la ficción televisiva española, Revista Latina de Comunicación Social, 71, 470-483. https://doi.org/10.4185/RLCS-2016-1105
Langman, L. (1998). The Media in the Movies. A Catalog of American Journalism Films (1900-1996). McFarland & Company. Laviana, J. C. (1996). Los chicos de la prensa. Nickel Odeon.
Marek, J. G. (1999). The Practice and Ally McBeal: a new image for women lawyers on television?, The Journal of American Culture, 22(1), 77-84. https://bit.ly/3Og5SUZ
McHugh, K. A. (2001). “Sounds that creep inside you”: Female narration and voiceover in the films of Jane Campion, Style, 35, 193-218. https://bit.ly/3OfZFrM
McNair, B. (2010). Journalist in films: Heroes and villains. Edinburgh University. Press Ltd.
McNair, B. (2014). From cinema to TV: Still the same old stories about journalism. Journalism Practice, 8(2), 242-244. https://doi.org/10.1080/17512786.2014.889270
Menéndez Menéndez, M. I., & Zurian Hernández, F. A. (2014). Mujeres y hombres en la ficción televisiva norteamericana hoy. Anagramas-Rumbos y sentidos de la comunicación-, 13(25), 55-71. https://bit.ly/3uuY235
Mera, M. (2008). Periodistas de película. La imagen de la profesión periodística a través del cine. Estudios sobre el Mensaje Periodístico, 14, 505-525. https://bit.ly/3uvbhRj
Murphy, S.T. (1998). The Impact of Factual Versus Fictional Media Portrayals on Cultural Stereotypes, The ANNALS of the American Academy of Political and Social Science, 560:1, 165-178. https://doi.org/10.1177/0002716298560001013
Ness, R. (1997). From headline hunter to superman: a journalism filmography. Scarecrow Press.
Osorio, O. (2009). La imagen de la periodista profesional en el cine de ficción de 1990 a 1999. [Tesis de doctorado, Universidade da Coruña]. Biblioteca de la Universidade da Coruña.
Paget, S. (12 de julio de 2013). Carrie Bradshaw vs Reality. https://skinnydip.ca/carrie-bradshaw-vs-reality
Painter C. y Ferrucci, P. (2012). Unprofessional, Ineffective, and Weak: A Textual Analysis of the Portrayal of Female Journalists on Sports Night, Journal of Mass Media Ethics, 27(4), 248-262. https://doi.org/10.1080/08900523.2012.746107
Painter, C. y Ferrucci, P. (2015). ‘His Women Problem’: An Analysis of Gender on ‘The Newsroom’”, Communication Faculty Publications, 28, 1-30. https://bit.ly/49A9wBi
Painter, C., y Ferrucci, P. (2017). Gender games: The portrayal of female journalists on House of Cards. Journalism Practice, 11(4), 493-508. https://doi.org/10.1080/17512786.2015.1133251
Painter, C. y Ferrucci, P. (2019). Taking the White Gloves Off: The Portrayal of Female Journalists on Good Girls Revolt. Journal of Magazine Media, 19(2), 50-71. https://doi.org/10.1353/jmm.2019.0014
Press, J. (2018). Dueñas del show, las mujeres que están revolucionando las series de televisión. Alpha Decay.
Requeijo, P. (2013). El profesional de los medios en el cine de los últimos años. Vivat Academia, 15(122), 54-79. https://doi.org/10.15178/va.2013.122.54-79
Rey, A. (22 de septiembre de 2012). A favor y en contra de The Newsroom. El Mundo. https://bit.ly/3SvDQHx
Rizwan, F. (2013). Gender confusion and the female journalist: TV journalist Robin Scherbatsky of how i met your mother [Doctoral dissertation, University of Southern California]. University of Southern California ProQuest Dissertations Publishing.
Robertson, C. T., Selva, M. y Nielsen, R. K. (2021). Women and leadership in the news media 2021: evidence from 12 markets, FactSheet, Reuters Institute for the Study of Journalism. https://doi.org/10.60625/risj-k9c6-de85
Saltzman, J. (2003). Sob sisters: The image of the female journalist in popular culture. The Image of the Journalist in Popular Culture (IJPC). https://bit.ly/4bQ3w9x
Sottile, A. (3 de noviembre de 2016). ‘Good Girls Revolt’: Inside Landmark Lawsuit Behind New Feminist Series. Rolling Stone. https://bit.ly/3U7s9YI
Sorkin, A. (Productor y guionista). (11 de septiembre de 2012). We Just Decided To. Temporada 1, Episodio 1) [Serie de Televisión]. En Sorkin, A., Rudin, S. y Poul, A. (Productores ejecutivos). (2012-2014). The Newsroom. HBO.
Sorkin, A. (Productor y guionista). (20 de octubre de1999). The Crackpots and These Women. Temporada 1, Episodio 5) [Serie de Televisión]. En Sorkin, A. (Productor ejecutivos). (1999-2006). El ala oeste de la Casa Blanca. NBC.
Vázquez-Miraz, P. (2019). El temprano retiro de las presentadoras de telediarios en Colombia y España: El repudio a la vejez femenina. Estudios Sobre el Mensaje Periodistico, 25(2), 1171-1189. https://doi.org/10.5209/esmp.64832
Wayne, M. (2016). Cultural class analysis and audience reception in American television’s third “golden age”, Interactions: Studies in Communication & Culture, 7(1), 41-57. https://doi.org/10.1386/iscc.7.1.41_1
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Carlota Coronado Ruiz

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
The authors retain their copyright and grant the journal the right of first publication of their work, which will be simultaneously subject to the Creative Commons License, Attribution-NonCommercial, International License (CC BY-NC 4.0). The scientific community is free to share, copy, and redistribute the material in any medium or format, and to remix, transform, and build upon that material under the following terms: Proper credit must be given (journal, authors, URL/DOI), and it is not used for commercial purposes.



















