Positioning of children’s transmedia franchises. Cleo & Cuquín and Piny case studies

Authors

DOI:

https://doi.org/10.31921/doxacom.n35a1623

Keywords:

Brand, transmedia, producer, children, education

Abstract

Transmedia  franchise  is  part  of  a  child’s  daily  life,  so  it  is  necessary  to  delve  into  production,  strategies,  and  the  communication  model  used  by  these  children’s  creations.  This  article  aims  to  analyse  the  types  of  transmedia  brands  and  the  producer’s  pedagogical    vision  in  the  cases  of  Cleo  &  Cuquin  and  Piny.  It  is  an  interpretive  research  using  a  qualitative methodology ,construct grounded theory. Analysis of the two franchises  chosen  from  unstructured  and  semi-structured  interviews,  document analysis and participant observations; instruments validated by  triangulation.  Finally,  the  theoretical  coding  is  established  and  the  data  collected  from  the  Atlas.ti  programme  are  categorised  into  families. The results indicate four types of transmedia children’s brands (educational, edutainment, entertainment and pure entertainment), as well  as  the  increase  in  entertainment  content  and  pure  entertainment  compared in franchises for 6 to 12 year olds, the growth of educational and  edutainment  stories  versus  the  decline  in  entertainment  and  pure  entertainment  in  preschool  transmedia  brands.  The  conclusions  show  the overprotection and parental control influential in the child franchise and the producer’s vision of the traditional teaching model.

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Author Biographies

  • Rosalia Urbano, Antonio de Nebrija University, Spain

    International PhD in Communication, Educommunication branch (Media Literacy). Master in Communication and Audiovisual Education. Bachelor’s in Journalism and Diploma in Teaching Foreign Languages (English). Member of the Ágora group from the University of Huelva. Professional in voice-overs and dubbing. Published journalistic and scientific articles such as “Co-creativity in children’s transmedia brands from the producer’s perspective” and “New European teaching model through the children’s television prosumer”. Research in projects on television, education and business creativity; numerous audiovisual material published. Teaching experience in the Masters in Teacher Training, ICT and Teaching Methodologies at the University Antonio de Nebrija, and audiovisual media (Canal 10 TV, Punto Radio and UNITV, Television Channel from the University of Huelva), digital content and social networks. Coordinator of the Gamification block in the Master’s Degree in Teaching Training at the European University of Valencia.

  • Ignacio Aguaded, University of Huelva, Spain

    Professor in the Department of Education from the University of Huelva (Spain). President of Grupo Comunicar, veteran collective in Spain in Educommunication, and Editor-in-Chief of the renowned scientific journal “Comunicar” (indexed in JCR and Scopus, top 1% worldwide). He is the Principal Investigator of the Research Group “Agora”, which has multiple national and international investigations. He has directed hundreds of research works and 41 doctoral theses. He is the director of the Interuniversity International Master of Communication and Audiovisual Communication (UNIA/UHU) and coordinator of the Interuniversity Doctorate Programme in Communication (US, UMA, UCA and UHU). President and founder of the International EuroAmerican Network of Researchers “Alfamed”, in 18 countries. Awarded the Best Researcher in Social Sciences at the University of Huelva 2015.

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Published

01-07-2022

Issue

Section

Miscellaneous of Research articles and essays

How to Cite

Urbano, R., & Aguaded, I. (2022). Positioning of children’s transmedia franchises. Cleo & Cuquín and Piny case studies. Doxa Comunicación. Interdisciplinary Journal of Communication Studies and Social Sciences, 35, 211-223. https://doi.org/10.31921/doxacom.n35a1623
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