Nº 39 (2024): (July-December)

View Nº 39 (2024): (July-December)

DOI: https://doi.org/10.31921/doxacom.n39

Published: 01-07-2024

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Miscellaneous of Research articles and essays

Training communicators in inter- and trans-disciplinarity to operate in a digitalised world

Andrés Barrios-Rubio

DOI: https://doi.org/10.31921/doxacom.n39a2009

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Politics, fear, and persuasion: an analysis of institutional advertisements during the pandemic

Julen Orbegozo Terradillos, Oier San Martín Epalza

DOI: https://doi.org/10.31921/doxacom.n39a2006

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Musical persuasion in Donald Trump’s campaign advertising. Juxtaposition resources in contrast spots with production music

Aleix Herreras Carrera

DOI: https://doi.org/10.31921/doxacom.n39a2093

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The media coverage of the European Union and the extreme right. A comparative study between Spain, France, and Italy

Cristina Fernández-Rovira, Ricardo Carniel-Bugs

DOI: https://doi.org/10.31921/doxacom.n39a2041

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Communication cabinets and media: an unequal struggle that impoverishes information

Joaquín Aguar Torres

DOI: https://doi.org/10.31921/doxacom.n39a2035

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Evolution of the UCC+i as a dynamic agent of science communication. Professional perceptions of their structure and future challenges in the digital context

Susana Barberá Forcadell, Pablo López-Rabadán

DOI: https://doi.org/10.31921/doxacom.n39a2025

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Modular narratives and visual digital culture in contemporary cinema. The case of Open Windows (Nacho Vigalondo, 2014)

Luis Cemillán Casis, Francisco Jiménez Alcarria

DOI: https://doi.org/10.31921/doxacom.n39a2022

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"Isn't that what you want, to be accepted?": Critical analysis of LGBTI+ characters on television series in the United States

Juan José Sánchez Soriano

DOI: https://doi.org/10.31921/doxacom.n39a2073

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Strategies and guidelines for the aesthetic design of QR codes in advertising

Raquel Ávila-Muñoz, Gema Bonales-Daimiel, Fernando Suárez-Carballo

DOI: https://doi.org/10.31921/doxacom.n39a2189

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Influence of persuasive norms on the personal shopper service

Fernando Marroquín-Ciendúa, Manuel Medina-Labrador, Harold Germán Rodríguez-Celis, Yamile Castro Gonzáles

DOI: https://doi.org/10.31921/doxacom.n39a1952

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Research notes

From first to second navigation: metaphor and discourse of Ortega y Gasset, a journalist philosopher

Luis Núñez Ladevéze

DOI: https://doi.org/10.31921/doxacom.n39a2319

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Massification of streaming audiovisual content audiences on the Netflix and Disney Plus platforms in the context of COVID-19 (years 2020 to 2022)

Zaray De Los Ángeles Rumbos Pérez

DOI: https://doi.org/10.31921/doxacom.n39a2152

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Bibliographic reviews

Charles H.Cooley: bases para una teoría comunicativa de lo social

Carmen Fuente Cobo

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El dilema de la IA

Luis Núñez Ladevéze

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Cómo dar una buena clase. Estrategias, experiencias didácticas y desafíos emocionales

José Alberto García-Avilés

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La mujer que besó a Virgilio y otros viajes literarios

Ignacio Blanco Alfonso

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Federico García Lorca en el franquismo: el caso de La Estafeta Literaria (1944-1960)

Ángel Manuel Arias Urrutia

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El poder de lo sagrado. Una alternativa al relato del desencantamiento

Luis Núñez Ladevéze

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Democracia y desinformación: Nuevas formas de polarización, discursos de odio y campañas en redes. Respuestas regulatorias de Europa y América Latina (Serrano-Maíllo y Corredoira, 2024 (eds.))

Catalina Gaete Salgado

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Periodismo e Inteligencia Artificial. Aplicaciones y desafíos profesionales

María José Ufarte Ruiz

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Levedad, likes y otras cosas sin sustancia. La sociedad de la levedad

Josep Boyra Amposta

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Doctoral thesis news

Interactivity in online video platforms: perceptions and preferences of Generation Z in the Community of Madrid. The case of YouTube and Twitch

María Navarro Robles

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Communication and populist identity in the new spanish politics: the case of Unidas Podemos and Vox in the general elections of April and November 2019

Jacob González-Castro

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Unraveling linguistic use to find norm: the new role of communicators and their influence on language

María Inés González Ibáñez

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Monographs

Journalism and Cinema: content, audiences, teaching, new formats and exhibition spaces [Monograph presentation]

María-Ángeles Chaparro-Domínguez, Luis Deltell-Escolar, María-Teresa Nicolás-Gavilán

DOI: https://doi.org/10.31921/doxacom.n39a2209

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Journalism, gender and television: the image of women journalists in US series (1988-2022)

Carlota Coronado Ruiz

DOI: https://doi.org/10.31921/doxacom.n39a2126

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Female journalists’ representation in Rodrigo Sorogoyen’s The Realm

Felicidad González Sanz, Javier Figuero Espadas

DOI: https://doi.org/10.31921/doxacom.n39a2062

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The figure of the journalist in early film noir. Stranger on the Third Floor (1940, Boris Ingster)

Luis Deltell Escolar

DOI: https://doi.org/10.31921/doxacom.n39a2115

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The role of the journalist in Colombian film noir: opposing the quest for truth and visualizing state repression

Alejandra Laverde Román, Carlos Berrio-Meneses

DOI: https://doi.org/10.31921/doxacom.n39a2111

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Subversion of media & journalistic ethics in Spanish cinema: sensationalism and trash TV in the filmography of Alex de la Iglesia (1993-2022)

Lucía Tello Díaz

DOI: https://doi.org/10.31921/doxacom.n39a2087

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Hypertextual and intermedial paths between the journalistic story and the cinematographic fiction: from the crime of Mazarrón to El extraño viaje

Concepción Gómez García

DOI: https://doi.org/10.31921/doxacom.n39a2057

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The satirical cinema of journalists. Mass media characters and stories by the Hollywood industry (1970-2020)

Patricia Gascón Vera, Joseba Bonaut Iriarte

DOI: https://doi.org/10.31921/doxacom.n39a2066

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Representation of journalists in Samuel Fuller’s newspaper films: Park Row (1952), Shock Corridor (1963) and The Madonna and the Dragon (1990)

Sergio Albaladejo Ortega

DOI: https://doi.org/10.31921/doxacom.n39a2132

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An analysis of the audio-visual style used in the portrayal of journalism: being and ought to be in The Wire and The Newsroom

Miguel Ángel Huerta Floriano, Ernesto Pérez Morán

DOI: https://doi.org/10.31921/doxacom.n39a2120

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Film festival coverage: an interview with journalists, critics, and event programmers of Latin American film festivals

Gerardo Karbaum Padilla, Daniel Barredo Ibáñez, Claudia Chura Pilco, Raúl Ortiz Mory

DOI: https://doi.org/10.31921/doxacom.n39a2081

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